Choosing vocabulary Describing a place:
Your characters need to travel, see the world—be it as simple as a room in their house or an exotic place across the globe or maybe another dimension entirely. Novice writers often think setting the scene is the very first thing that the reader needs to know before they even meet your hero.
They need to know where your character is, yes, but not every excruciating detail about the world. Set a mood with the character as the mouthpiece. What makes this day, or this moment, different then any other day? Whatever makes this day different then any other, then, is a sense of things changing.
This change is often a good source of conflict or tension. In total, there are about four techniques—similar to weather openings—you need to make a scenic opening, and scenery itself, come alive. What do I mean when I say you have make scenic openings and scenery active? I mean, does the scenery appear to be doing anything?
Does it appear to have a personality, almost as if it were alive? The palace still shook occasionally as the earth rumbled in memory, groaned as if it would deny what had happened.
Bars of sunlight cast through rents in the walls made motes of dust glitter where they yet hung in the air. Scorch-marks marred the walls, the floors, the ceilings.
Broad black smears crossed the blistered paints and gilt of once-bright murals, soot overlaying crumbling friezes of men and animals which seemed to have attempted to walk before the madness grew quiet.
The dead lay everywhere, men and women and children, struck down in attempted flight by the lightnings that had flashed down every corridor, or seized by the fires that had stalked them, or sunken into stone of the palace, the stones that had flowed and sought, almost alive, before stillness came again.
In odd counterpoint, colourful tapestries and paintings, masterworks all, hung undisturbed, except where bulging walls had pushed them awry. Finely carved furnishings, inlaid with ivory and gold, stood untouched except where rippling floors had toppled them. The mind-twisting had struck at the core, ignoring peripheral things.
Did you notice how Jordan gave the destroyed castle almost a personality? Now, this opening is told in omniscient point of view an all-seeing POV. Almost like a god. The opening above could only work for an established author nowadays, as opposed to when this novel was published, back in On the second point, creating tension within the prose, is based on a few factors: Do the words you choose evoke an image?
Do they evoke a mood? Does it incorporate the senses? What is happening to your character? Where is he or she? What is her goal for the scene? What happens if your character fails? What or who does the character lose if she loses? What about if she succeeds?
The higher and riskier the stakes, the more tense and powerful the scene will be. A rumble of thunder drowned out his next words as he gripped her wrist. He pulled her towards the door, and slowly eased it open, the cries of the Guild members like the shrill noise of gulls overhead, nearly drowned out by the thrashing waves and rain.
Guilt forced its way into her chest, lodged like a stone within.
We must make this sacrifice. She kept watch as the ship cut through the waves, her heartbeat louder than the storm. She stumbled forward as he hoisted her up into his arms and set her in the lifeboat.
Below, the black waves swelled, like quicksand, threatening to swallow her whole—looming closer and closer—as Owen began to lower the boat. One thought slammed into her, and she gripped the sides of the boat with white-knuckled hands. Oh, no… Weaving out of the reach of gleaming swords, Owen pulled his own blade from its sheath and combat ensued.
Battle cries and shouts of pain echoed through the night as Owen delivered blow after blow, a few lifeless bodies tumbling into the sea. A sword swing caught one of the ropes and Calias gripped the boat as it lurched to one side, hanging a few feet from the waves.Use "descriptive words" a lot?
You can jump right to this page by putting a "!" at the end of your searchl. Descriptive Phrases on Scenery. Useful Phrases for Writing.
happy words. Situational Writing Phrases. Descriptive Phrases. English Words That Describe Behaviour. Useful phrases describing weather (a) The sky and clouds: The high sunlit clouds drifted across a clear blue sky. The sky above was full of tumultuous, dark, ragged clouds/5(91). Adjectives for describing landscapes.
Meanings of adjectives from Tuesday's class. STUDY. PLAY. barren. unable to produce plants or fruit. sun-drenched. to describe a place that receives a lot of sun. meandering. of a river or road, following a route which is not straight or direct.
breathtaking. Descriptive Phrases on Scenery Sunrise/Sunset - The sunset was glorious, all rosy and salmon-pink. - The sun-lit sky and sea blend perfectly into each other.
- The awe-inspiring sun danced in from the horizon. - Dews on the blades of grass sparkled in the sunlight.
Visit the blog, r-bridal.comcom to learn how to use descriptive language when describing pictures and scenery. (Remember) Think back about some of the most beautiful places you’ve been, imagine the most breathtaking landscapes, and astonishing views.
A good descriptive paragraph is like a window into another world. Through the use of careful examples or details, an author can conjure a scene that vividly describes a person, place, or thing. The best descriptive writing appeals to multiple senses at once―smell, sight, taste, touch, and hearing―and is found in both fiction and nonfiction.